Targeting the extreme photographer or just slightly clumsy, Fujifilm has launched a new water, shock, dust and freeze-proof camera featuring built-in GPS.
Designed to survive even the most boisterous activity, the Fujifilm FinePix XP30 is freeze proof to minus 10°C, waterproof to five metres, shockproof to 1.5m and also sand and dustproof.
On the inside the Fujifilm FinePix XP30 features an impressive 5x, wide-angle, zoom lens, 14-megapixel resolution and a broad selection of image functions.
It also offers HD movie capture of 720p at 30fps.
The Fujifilm FinePix XP30 is available in five fun colours — black, silver, orange, blue and green — and is available for around $213.
As expected, Sony has unveiled the NEX-3 and NEX-5 mirrorless interchangeable lens cameras.
Both come packing the same new 14.2-megapixel Exmor APS HD CMOS sensor, which is almost 60% bigger (23.4mm x 15.6mm) than what you’ll find inside a micro four thirds body. Both can capture HD video and stereo audio via the built-in microphone, but the NEX-3 tops out at 720p, while the NEX-5 can crab 1080i video in AVCHD format; meet the new, mirrorless E-mount.
Both offer high-resolution tilt/flip screens, fast continuous shooting and HD video capture, with 720p from the NEX-3 and 1080i, AVCHD from the NEX-5.
Also announced are three E-mount lenses: a 16mm F2.8 pancake, offering a 24mm equivalent field-of-view, a standard 18-55mm F3.5-5.6 stabilized kit zoom, with a 18-200mm F3.5-6.3 stabilized superzoom to follow.
If you’re not satisfied with three lens options (and you have a little extra room in your bag), the optional LA-EA1 Mount Adapter allows both NEX cameras to use the full range of Alpha lenses, plus a “huge range” of other legacy A-mount lenses if you don’t need AF. It’s worth noting that there’s no internal image stablization on the NEX bodies, so you’ll have to opt for the 18-55mm lens if you want to enjoy the Optical Steady Shot functionality.
Despite the extra sensor real estate, both bodies are impressively compact.
The NEX-5, which has a magnesium alloy body, weighs just 10.1-ounces (with battery and media) and the NEX-3 checks in at 10.5-ounces.
The new NEX-3 and NEX-5, which will be hitting shelves in July.
The Nikon Coolpix S8000 lays claim to the title of the world’s slimmest 10x zoom compact. And while tech is dominated by constant chatter about “world firsts”, this nifty little number is every bit as good as its makers reckon.
The zoom is the real big drawer with the Nikon Coolpix S8000.
Use it in conjunction with the ace macro mode and your shots will be imbued with excellent detail and will let you get close up without any nasty blur around the edge of your pics.
Push the lens wider though and your landscape shots will really look the part. The 30mm shots we took looked vast and rich in detail, perfect if you want cracking pics without investing in something bulkier and pricier.
Elsewhere the Nikon Coolpix S8000 is instilled with the camera maker’s excellent and easy-to-use UI.
Accessing scene modes is straightforward via one button, letting you optimise your shots wherever you are.
Moreover the LCD screen slapped on the back is ace too. At 3-inches and featuring 921k pixel it’s more than ample for viewing your handiwork, although we would have preferred AMOLED in order to get a slightly bigger viewing angle and it’s comparable to higher-level Nikon’s D90!
Nikon Coolpix S8000’s short list of features:
Macro shooting from as close as 1 cm (0.4 in.)
High-speed performance
16 scene modes for optimized shooting in various settings
Scene Auto Selector
Subject Tracking
Quick Retouch
D-Lighting
Auto Sort function
Approx. 32 MB of internal memory
USB charging via Charging AC Adapter EH-68P/EH-68P (AR) or PC
HDMI connectivity
The Nikon Coolpix S8000 is available right now at the slim price of US $262.20, so you save $37.75 (that’s 13% off its regular price)!
Most DSLRs today sport live view features, as we all know, but being able to remotely watch a scene and control your DSLR is another story, isn’t it?
The Aputure Gigtube is a plug-in, external LCD display and camera controller for digital SLR cameras. It works with all the major digital SLRs (except Sony) and provides a live feed via the camera’s LiveView function. If LiveView isn’t available on the camera, the Gigtube will still display the photo that has just been taken so you can review it. The Gigtube’s screen is a 2.5″, 230 kpixel 16 million colour unit and it connects to the camera via it’s video out port and USB control port.
It comes with a 2m extension cable or you can attach it to the camera via the flash hot-shoe. The display rotates 270° and it has a built-in rechargeable battery that will last about 3 hours on a full charge.
Compatible with any camera with a video output, the Aputure Gigtube screen can automatically display an image immediately after shooting it, or can stream the video feed from live view. Moreover, the LCD screen is rotatable for different angle view and this gadget offers the remote shutter release function.
How can you use it? How is the Aputure Gigtube going to come in handy to the pro-am photographer?
Check some examples.
Self-portraits viewfinder Aputure Gigtube can automatically transfer the live view mode of the camera (if the camera supports) on the LCD screen so you make a shooting toward your side to freely take photos of you and with your friend or family, just like you shoot other object, easily.
High-angle (position) viewfinder When shooting an object in high position that not easily accessible or overlooking to shoot and more such situations, the Aputure Gigtube can make its powerful effect by its live view and instant photo display function and off-camera remote shutter release function.
Off-camera remote shutter release When shooting an object in high position that not easily accessible or overlooking to shoot and more such situations, the Aputure Gigtube can make its powerful effect by its live view and instant photo display function and off-camera remote shutter release function.
Low-angle (position) viewfinder Aputure Gigtube is usefully in the situations where the camera is positioned in a way that makes viewing the camera’s screen difficult or impossible. There is a hot shoe mount for making above-the-head and low-angle shooting easier.
There are different models of the Aputure Gigtube for each camera manufacturer
specifically for Nikon (D700 /D300 /D300s/D3/D3x/D200/D2Xs/D2Hs/D2x/D2H Cameras) or Canon (EOS 5D/50D/40D/30D/20D/1D Mark III/1Ds Mark III Cameras) among others.
The good news is that now they are available with some interesting discount (up to 37%) at around US 189.95!
The Fujifilm FinePix Z30 may look like a toy, but this fashion-first point-and-shoot camera takes excellent photos.
Boasting a high-resolution 2.7-inch LCD screen, the 10-megapixel FinePix Z30 has a Fujinon 3x optical zoom lens and is designed for ultra-portability, making this the ideal camera for the fashionista on-the-go. Like its predecessor, the Fujifilm Z20, the Fujifilm Z30 can Face it, Blog it and Roll it.
Users can Face It with Fujifilm’s innovative Face Detection Technology with Automatic Red Eye Removal for capturing the ultimate group shots; Blog it with the innovative Blog Mode, making it effortless for social-media-savvy users to post pictures and videos to personal profile pages, blogs and video sharing websites or simply to e-mail to friends; and Roll it with the Successive Movie mode that allows users to create 60 second movie clips.
Starting with the front of the Fujifilm FinePix Z30, a shiny, button-bedecked faceplate protects the lens when the camera is powered off; sliding it to one side turns the camera on. The shutter button and the speaker are the only two items on the top of the camera. A slightly grainy 2.7in-diagonal LCD and 10 rubber buttons handle all of the controls on the back of the FinePix Z30.
The Fujifilm FinePix Z30 is available now for US $76.95 (you save: $73.00 [-49%] ).
Panasonic’s newest slim and stylish touch-screen digital camera, the Panasonic Lumix DMC-FX580 (the successor to DMC-FX500), features 12.1-megapixel resolution, 25mm ultra-wide-angle LEICA DC lens with F2.8 brightness, 5x optical zoom, large 3-inch touch sensitive LCD screen and newly developed Venus Engine V processor that includes twin CPUs to boast approximately 2.4x processing capability.
The Panasonic Lumix DMC-FX580 may look like Just Another Ultra-Compact Camera, but it has two features that most cameras in its class do not.
The first is a 3-inch touchscreen LCD display.
While many camera manufacturers have touchscreen cameras, the FX580 is somewhat unique in that it doesn’t force you to use the touchscreen for everything — there are “regular” controls too.
25mm ultra-wide-angle LEICA DC lens with F2.8 brightness and 5x optical zoom
New touch-screen interface and conventional operation system with the cursor key for intuitive control
Panasonic’s new advanced iA (Intelligent Auto) mode incorporates a system of technologies, including MEGA O.I.S., Intelligent ISO Control, Face Detection, Face Recognition, AF Tracking, Intelligent Exposure and Intelligent Scene Selection
Panasonic’s newly developed Venus Engine V processor
High sensitivity up to ISO 6400
Records High Definition (1280 x 720p) motion images at 30 fps
New Panorama Assist scene mode allowing users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen
Bundled PanoramaMaker software
The DMC-FX580’s touch-screen is a hybrid operation system combining the new touch-screen interface and a conventional operation system with the cursor key for intuitive control, and it comes in an aluminum body in silver and black colors.
The Panasonic’s Lumix DMC-FX580is available now with huge savings for $209.95 - that’s 40% less (you save $140.00)!
The Pentax K-7 is the new jewel in the company’s crown, with a long list of specs well beyond any previous Pentax DSLR. Existing Pentax users will be pleased to finally see a much-wanted pro-level upgrade, whereas those familiar with other manufacturers’ systems may also be drawn in thanks to an all-encompassing features list.
The Pentax K-7 has been built from the ground up by Pentax and, unlike the K20D and K10D which had Samsung GX20 and GX10 equivalents, is a standalone venture. The build quality is a key sell; ruggedly made, but following Pentax’s ultimately ‘classic’ design, the body is made from a magnesium alloy that’s both dust and weather-sealed at 77 points. Shooting in sand, getting splashed with rain or other treacherous conditions need not be a bother and, despite this upgrade, the whole camera is even marginally smaller and lighter than the previous K20D. The featured 18-55mm kit lens follows suit, as does the optional D-BG4 battery grip (which offers both AA and li-ion battery options) to complete a fully weather-and-dust-sealed unit in its entirety.
A high-resolution 14.6MP CMOS sensor is at the heart of the K-7’s body, which whilst not a step up over the K20D in terms of resolution, does double the number of output channels. The result? More information can speed through the K-7’s buffer for faster continuous shooting than ever before – a firm 5.2 frames per second sees the K20D’s 3fps barrier officially trounced; ideal for those looking to shoot sports or action photography.
Unlike its key competitors – namely the Nikon D300 and Canon 50D – the Pentax K-7, like many Pentax DSLRs before it, incorporates Shake Reduction (SR) into the camera body itself. Crucially this means even old K-mount bayonet-fit lenses can benefit from this function, and new lenses will not cost as much as their (hypothetical) stabilised counterparts.
A notable – and very much ‘flavour of 2009’ – feature is the inclusion of a 720p HD movie mode, plus the inclusion of a superior 1536×1024 capture that can be output at 1080i, though this is not ‘Full HD’ capture. Mono sound is recorded from the camera’s body, or there is the option to use the 3.5mm jack socket to plug in a microphone and record in stereo. Aperture can be set as fixed via the camera body for recording or there’s an automatic variable aperture mode, which adjusts the aperture according to the amount of light available throughout recording. Whilst in-camera shake reduction can also be used to full effect, it is not possible to autofocus whilst recording – though it is entirely plausible this will be possible in the future, if the clever bods at Pentax fix up the necessary firmware.
In keeping up with the competition, the Pentax K-7 adorns a 920,000 dot high resolution 3in LCD screen. Whilst it’s not a tilt and swivel screen as seem to be creeping into a number of camera bodies of late, it does auto-rotate images on the screen itself and, in keeping with orientation, has a virtual horizon level too – a really nice touch when in live view mode.
With customisable white balance settings, a shutter speed up to 1/8000th second, 77 segment metering system, the new SAFOX VIII+ 11-point AF system with AF illuminator lamp, in-camera HDR, and D-Range shadow and highlight adjustment options, the features list is certainly bulging. The K-7’s viewfinder has the much-sought after 100% field of view too, ensuring what you see is exactly what you’ll capture.
Now it’s your choice: which bargain are you going to take?
It’s either a Pentax K-7 with DA 18-55mm f/3.5-5.6 AL Weather Resistant Lens bundle priced at US $1,104.99 (saving up to 47% over regular price, that’s $979.11!) or the body-only Pentax K-7 priced at $979.00 that’s $320.95 (-25%)!
Canon updated the mid-range section of the DSLR cameras with the new Canon EOS Rebel T2i/550D.
Building on the popularity of the EOS 500D, the EOS 550D is designed to give you more access to video as well as Eye-Fi compatibility. Priced at US $ 899.99 with the standard 18-55mm f/3.5-5.6 IS lens, the EOS 550D will be available from the 24th February onwards.
There are a few basic upgrades on the Canon EOS Rebel T2i/550D. Notably is the ISO sensitivity top limit being raised to ISO6400 although you can still expand that to ISO12800 if you wish. An interesting point on this is that you can now cap the highest ISO point while in AutoISO, so it won’t use ultra high settings to get a decent shutter speed.
The new screen resolution should help with the new video functions of the Canon EOS Rebel T2i/550D. It has a Full HD recording facility of 1080p with manual control as well as selectable frame rates. You can choose from 30, 25 and 24fps at full HD quality while pushing it up to 60 or 50fps will reduce the quality to 720p. Alternatively, putting the camera in program mode means you don’t have to worry about it. There’s also a Movie Crop function that reduces the resolution to a 640×480 area but means you get a magnification of 7x the focal length of the lens.
The metering system now matches the one found on the popular Canon EOS 7D using the new iFCL metering with 63-zone dual-layer sensor. IFCL stands for intelligent Focus, Colour and Luminance metering and it’s this information that the new system uses to meter with. It works in conjunction with the focus points to determine the distance from relative subjects and weights the exposure according to the algorithm results.
Kodak is back with the brand new Kodak Z981 superzoom compact digital camera one year after the announcement of the Z980 super-zoom at CES 2009.
The model name “advances” by just +1, but the camera actually jumps to a 14mp sensor and 26X zoom ratio, up from 12mp and 24X.
The lens is also Schneider-branded, f2.6-f5, and has a 26-676mm equivalent focal range, enough for most photo-amateurs, along with image stabilization.
The Kodak Z981 sports a really useful vertical shutter button and a detachable vertical (non-battery) grip.
On the plus side, the camera has RAW capture and PASM which is short for Program, Aperture and Shutter priority, and Manual exposure: that means that Pro-oriented photographers will get their teeth on Pro-features and a less than 0.2 second click-to-capture specification.
Other features include a huge 3-inch display and (as required by 2010 standards!) one-touch upload to popular web-services (flickr, youtube, facebook, etc).
The Kodak Z981 takes four AA batteries, and Kodak actually includes four of the pre-charged (presumably LSD) types. This is a nice touch for AA cameras.
The Kodak Z981 is available for pre-order now at Amazon for $330.
The Fujifilm FinePix HS10 is a long-zoom digital camera featuring a backside illuminated CMOS image sensor.
I must admit I’m a long time Fuji Finepix fan: I’m still in love with my S9600 bridge camera, which is two generation behind this Fujifilm FinePix HS10!
The Fujifilm FinePix HS10 is based around a 10.3 effective megapixel,1/2.3-inch back-side illuminated CMOS image sensor coupled to a Fujinon-branded 30x optical zoom lens. Maximum image resolution is 3,648 x 2,736 pixels in the camera’s native 4:3 aspect ratio, and both 3:2 and 16:9 aspect ratio modes are also available. The HS10’s lens offers actual focal lengths ranging from 4.2 to 126.0mm, equivalent to 24 to 720mm on a 35mm camera - a generous wide angle to a powerful telephoto. The Fuji HS10 has a two-step aperture, offering either F2.8 or F11.0 at wide angle, and either F5.6 or F11 at telephoto. Minimum focusing distance is ordinarily 1.6 feet at wide angle or 16.4 feet at telephoto, but drops to just 0.3 feet in Macro mode at wide angle, or 6.5 feet at telephoto. A Super Macro mode locks the lens at an unspecified focal length, but allows focusing as close as 0.4 inches
There’s no true optical viewfinder on this model, but as you’ expect on a long-zoom digicam like this, there’s a 0.2-inch, 200,000 dot FLCD electronic viewfinder which takes its place. There’s also a 3.0-inch tilting LCD display with 230,000 dot resolution. Both EVF and LCD provides 97% frame coverage. The HS10 also includes a sensor that detects when the user brings their eye towards or away from the viewfinder, then automatically switches between the EVF and LCD as appropriate!
The sensor in the Fujifilm FinePix HS10 yields an effective resolution of 10.3 megapixels, and sits behind a Fujinon-branded 30x optical zoom lens with a generous 24mm wide angle. The Fujifilm HS10 includes both an electronic viewfinder and a 3.0-inch LCD panel. Images are stored on SD or SDHC cards, or in 45MB of built in memory.
Again, as the old S9600, power for the Fuji HS10comes courtesy of four AA batteries, with alkaline disposables included in the product bundle!
This means that you’ll never run out of power thanks to wide availability of AA batteries worldwide!
The Fujifilm FinePix HS10 offers USB 2.0 High Speed data connectivity, as well as both high-definition Mini HDMI and standard-definition NTSC / PAL composite video outputs.
The Panasonic Lumix DMC-GF1 is the lastest member of the Micro Four Thirds family. But before Micro Four Thirds, there was Four Thirds. With Olympus having produced relatively small film SLRs since at least the early 1970s, it was probably no surprise that they would partner with Kodak to introduce the Four Thirds System standard (with its sub APS-C sized sensor) as they prepared to move into the digital age. The smaller sensor helped the company produce diminutive DSLRs that carried on the Olympus tradition.
Sensor resolution is 12.1 megapixels and there are full manual and auto controls, plus a palette of user-established settings that rival DSLRs in number and scope. You can shoot in RAW if you choose, or RAW/JPEG combinations, and there’s 1280×720 HD video in AVCHD Lite (which is more memory efficient than Motion JPEG) or Motion JPEG formats.
The GF1 is undoubtedly smaller than its big brothers, the G1 and GH1, but it’s not quite as tiny as Panasonic might lead you to believe. Measuring 119 x 71 x 36.3mm and weighing 285g without a lens attached, it’s just a little smaller and 50g lighter than the very similar Olympus E-P1 camera. Instead of a traditional DSLR hand-grip, the DMC-GF1 has a slightly raised vertical area on the front-right which isn’t big or pronounced enough to be of much assistance. The rubberized thumb-rest on the rear is a lot more useful.
Because of space considerations inherent in the Micro Four Thirds System, a 3.0 inch LCD monitor operating in Live View is the only means of image composition and framing for capture.
If you don’t want to use the LCD screen for composition, an optional electronic external viewfinder is also available, the Panasonic DMW-LVF1 (priced at $199.95), which slots into the external flash hotshoe on top of the camera. The GF1 can record 1280 x 720 high-definition video in the AVCHD Lite or Motion JPEG formats, and it can focus in just 0.3 seconds via its contrast auto-focusing system.
The camera uses SD/SDHC memory media, and Panasonic includes a battery charger/AC adapter, battery pack, body cap, AV cable, USB connection cable, AC cable, DC cable, shoulder strap and CD-ROM software with each camera.
The Panasonic Lumix DMC-GF1 is available in four colours, black, red, silver and white, either body only (£570) or in two different kits, one with the new LUMIX G 20mm/F1.7 ASPH pancake lens, and the other with the existing 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. zoom lens: starting from US $ 866,95!
People are still lamenting the passing of Polaroid Instant Film into history, but thanks to technology featured in its tiny Polaroid PoGo Instant Mobile Printer launched in 2008, the company is offering a new shoot-and-print option: the Polaroid CZA-05300B PoGo Instant Digital Camera.
The camera, which has a certain retro boxiness to it, is pretty big in comparison to most point-and-shoots with its camera specs. The 7-megapixel camera/printer measures 4.7 inches wide by 3 inches high by 1.3 inches deep and weighs 10 ounces–without paper, battery, or SD card. Keep in mind though: the original instant-print cameras didn’t fit in a coat pocket, but this one does!
There’s a 3-inch LCD on back and controls are simple; there’s even a 4X digital zoom that overcomes the lack of an optical zoom, due to space constraints.
ZINK stands for Zero Ink - a new and simpler approach to printing where high quality, colorful, durable and affordable prints are magically created — all without a drop of ink. The ZINK Technology, invented by ZINK Imaging, encompasses both the ZINK Paper and the intelligence embedded in every ZINK-enabled device. Over 100 patents and patents pending were generated in the development of this breakthrough technology.
The heart of this new “ZINK” category of printing is the ZINK Paper. The patented ZINK Paper is an advanced composite material with embedded yellow, magenta and cyan dye crystals, activated with 200 million heat pulses, in 30 seconds, in a single pass. With 100 billion crystals in a 2 x 3-inch print, the paper is 100-percent inkless. A ZINK-enabled printer uses heat to activate and colorize these crystals. Because there is no ink, every ZINK-enabled device has the unique benefits of being small, simple, elegant, and eco-friendly.
Polaroid is leveraging the ZINK Technology to bring a new family of digital instant products to the marketplace. The Polaroid Digital Instant Mobile Photo Printer is the first ZINK-enabled device available.
The LCD simply pops up, you insert a deck of 10 sheets, and you’re ready to go.
Shoot something you want to print & share? Hit the Print button on back, pick the photo, and press OK.
In less than a minute you have a print, it’s that simple!
The same technology of the PoGo Instant Digital Camera in an even smaller package! The Polaroid printer can do magic for your digital camera or camera phone, see how!
With a Camera Phone: The Polaroid CZA-10011B PoGo Printer is the easiest way to print photos from a camera phone. Wirelessly transfer images from a Bluetooth-enabled camera phone to the Mobile Printer and print instantly. Using the built-in OBEX (object exchange profile) Bluetooth in the phone and the printer, connecting and printing becomes instant.
With a Digital Camera: Instantly printing images from a digital camera is as easy as connecting the USB cable to the PictBridge-enabled camera and printer. Once connected, follow the PictBridge screen on the camera display. Simply select what image to send to the printer and within 60 seconds, the print is ready to be shared.
The Nikon D3000 is an entry-level DSLR, but don’t let the term fool you. When you place the label “Entry Level” on a camera, it might call to mind a camera with no frills, limited uses, and little more to offer than an automatic shooting experience.
This has been disproved by the latest crop of cameras released in the past two years, and the D3000 continues to set the bar high for an entry-level camera.
This new generation of point-and-shoots and entry-level DSLRs not only push the boundary of low-light performance and mega resolutions, they give that power to a whole new audience of beginning photographers.
Not only do DSLRs offer you manual control over shooting, they give you the advantage of using different kinds of lenses. It’s important to remember when buying a DSLR that you’re also buying into a system of lenses, not just a camera. The power of having a DSLR is that you can place any of your old lenses onto a new camera body in the future.
Enter the Nikon D3000, a new entry-level DSLR with a 10.2 megapixel DX-format CCD APS-C image sensor, 11-point Autofocus system with 3D tracking (which comes on the higher-end D5000 and D90), Active D-Lighting and an AF-S DX NIKKOR 18-55mm f/3.5-5.6 VR lens for $599.
The Nikon D3000 feels and looks exactly like the other DSLRs from Nikon, and is only different from the D90 and D5000, both higher-end models, by a few tenths of an inch. The D3000 measures 5.0×3.8×2.6 inches while the D90 is 5.2×4.1×3.0 inches, though the D3000 weighs a bit less at 1 lb 1 oz, making the Nikon entry-level to prosumer DSLR models almost identical in shape and size as well as overall appearance.
First time DSLR users will enjoy the Guide Mode. It literally walked us through different shoot scenarios via the fixed 3″ LCD screen. An excellent tool, its step by step instructions allowed my niece to move from the operating booklet in no time.
The Nikon D3000 is paired with a Nikkor 18-55mm AF-S DX lens. It will operate with any Nikkor DX and AF-S lens.
Nikon makes it really simple with a thumb dial for tweaking aperture and shutter speed. Metering, focus modes, and exposure compensation are easily controlled via the menu. The D3000 does not shoot in video mode. This model easily shoots over three frames per second in continuous mode. The 3D tracking sensor operates quite well in low lighting.
The Canon S90IS employs a newly developed, 10-megapixel High Sensitivity System by combining a powerful CCD sensor and Canon’s DIGIC 4 Image Processor. Thanks to this technological advancement, the S90 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise. Increased sensitivity demands a higher ISO speed, and the PowerShot S90 delivers with a new maximum setting of ISO 3,200. Blur and camera shake are notably reduced for the ultimate in sharpness and clarity.
In addition, a new Low Light mode lets you capture images in an astonishing range of conditions.
The Canon S90IS automatically adjusts the ISO speed from ISO 320 to ISO 12,800 in relation to ambient brightness, subject movement and camera shake.
The Canon S90IS’s tag price is somehow more than most point-and-shoots cost in this day and age.
But the amount of picture power this literally slips into your pocket is almost unbelievable: Outstanding low-light performance for a camera this size; a speedy lens; full control rings, plural; and yep, RAW.
It’s the soul of what makes the $500 behemoth G11 great, packaged in a true point-and-shoot.
You lose some power and some pro tools, like the swivel screen, a (shitty) viewfinder, faster burst shooting, hot shoe, some zoom and a custom mode or two, but you’re also shedding a ton of bulk, meaning you’ll actually take it everywhere.
And the best camera’s always the one you have with you - for me, that’s this camera, which just happens to be an excellent one all by itself.
The Fujifilm FinePix Z30 is a very compact, fairly inexpensive, 10-megapixel point-and-shoot that’s loaded with automatic controls, playback effects, continuous shooting features, and numerous self-timer modes. It also has a 3x optical zoom and a fairly unique style that should generate significant buzz.
The Fujifilm FinePix Z30 packs a 10-megapixel resolution and a 3x optical zoom into a very tiny body.
The camera is available in pink, purple, orange, black, and white and should be available soon for around $180. On the floor at PMA we spent most of our time with the orange model, as shown throughout this review.
The Fujifilm FinePix Z30 isa true stylish device and its design makes it an exciting, fashionable piece of technology.
The Fujifilm FinePix Z30 tag price as appealing as well: US $ 79.99 (and that’s 47% off its regular price!!!)
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The 
The 
Aputure Gigtube can automatically transfer the live view mode of the camera (if the camera supports) on the LCD screen so you make a shooting toward your side to freely take photos of you and with your friend or family, just like you shoot other object, easily.
When shooting an object in high position that not easily accessible or overlooking to shoot and more such situations, the Aputure Gigtube can make its powerful effect by its live view and instant photo display function and off-camera remote shutter release function.
When shooting an object in high position that not easily accessible or overlooking to shoot and more such situations, the Aputure Gigtube can make its powerful effect by its live view and instant photo display function and off-camera remote shutter release function.
Aputure Gigtube is usefully in the situations where the camera is positioned in a way that makes viewing the camera’s screen difficult or impossible. There is a hot shoe mount for making above-the-head and low-angle shooting easier.
Panasonic’s newest slim and stylish touch-screen digital camera, the 
is the new jewel in the company’s crown, with a long list of specs well beyond any previous Pentax DSLR. Existing Pentax users will be pleased to finally see a much-wanted pro-level upgrade, whereas those familiar with other manufacturers’ systems may also be drawn in thanks to an all-encompassing features list. 
The 
Canon updated the mid-range section of the DSLR cameras with the new 
using the new iFCL metering with 63-zone dual-layer sensor. IFCL stands for intelligent Focus, Colour and Luminance metering and it’s this information that the new system uses to meter with. It works in conjunction with the focus points to determine the distance from relative subjects and weights the exposure according to the algorithm results.
Kodak is back with the brand new 
The 
The 
(priced at $199.95), which slots into the external flash hotshoe on top of the camera. The GF1 can record 1280 x 720 high-definition video in the AVCHD Lite or Motion JPEG formats, and it can focus in just 0.3 seconds via its contrast auto-focusing system. 
.
If you just need a mobile printer that’s so easy to use and to carry around look no further than the 
is an entry-level DSLR, but don’t let the term fool you. When you place the label “Entry Level” on a camera, it might call to mind a camera with no frills, limited uses, and little more to offer than an automatic shooting experience.
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The 
is a very compact, fairly inexpensive, 10-megapixel point-and-shoot that’s loaded with automatic controls, playback effects, continuous shooting features, and numerous self-timer modes.
